The Magic of Science . . . Or, Elysium Review

I saw Elysium last week.  It's taken me a while to comment on Neil Blomkamp's newest sci-fi effort for the simple reason that almost as soon as I left the theater I'd forgotten the movie.  Built around the story of Max (played by Matt Damon), it's a purposeless effort that degenerates into rambling, plotless meandering about halfway through.  Basically, after an industrial accident leaves Max with only five days to live, he sets off on a journey that will take him to Elysium, which possesses technology which can cure him. 

Visually it's a standout, if your baseline for special effects is sometime around 2001.  Everything is as gritty and solid as what you'd expect from Black Hawk Down.  I suppose that's impressive, because in this case nothing is actually real.  Green screen and computer effects abound, and are never intrusive.  This is a good thing.  The world definitely feels real, but there's no real awe in the movie.

And as far as science fiction is concerned, I'm not entirely convinced that this is movie belongs in that genre.  Though it takes place in the future, has some pretty cool tech, there's not a lot of science involved.

Let me explain.  The technology is good, and has a solid, believable feel.  But the science is entirely absent.  The physics of the Elysium hub are wonky, at best, and the medical technology is simply magic.  Apparently in this future, disease is completely eradicated and all it takes to cure even advanced cancer is to wave some sort of "healing light" over the patient's body.

This makes the movie less science fiction and more fantasy. 

It's an ongoing problem as Americans' knowledge of science becomes increasingly divorced from their technological prowess.  A two year-old can manipulate an iPad and operate the Blu-Ray player better than many adults.  Cell phones deliver constant streams of information without the operator needing to know how.  Indeed, the complex ballet of satellites, cell towers, internet trunks, operating systems, computer coding, software, hardware, etc., are totally opaque to most operators.  This makes them inexplicable.

As I've often said, we live in a magical age.  The dictum that sufficiently advanced technology is indistinguishable from magic applies.  The ineffable cause which lies behind the effect of your iPhone making calls and surfing the web means that you experience a sense of powerlessness.  You no longer control your own world, even as you manipulate it.

And we fear what we don't understand.

It's not surprising that conservative Republicans in the United States are pushing back against educational reforms that might actually work.  Comprised largely of the undereducated, they sense their powerlessness and inaccurately attribute it to government interference and shadowy liberal conspiracies.  Certainly, government intrusion is on the rise, and I'm certain PRISM and the NSA are getting a kick out of my ongoing ramblings.  But the real solution isn't withdrawal but increased participation in government and education.

What Elysium suggests is that the merger between corporations and governments (the two are largely indistinguishable in the movie) create uncrossable gaps between rich and power.  That gap is regularly bridged in the movie, however, so I'm not sure just what the moral of the story is supposed to be.  Even more worrying, the director fails to explain how the very limited resources of Elysium can be leveraged to cure the entire planet of its (incomprehensibly many) woes.  Every other person seems to have cerebral palsy, polio, or some other malady and the level of welfare would certainly have exhausted resources a long time ago.  (Which is probably why a very few fled Earth.  It wasn't selfishness but enlightened self-preservation.)

So as far as political statements go, it's milquetoast, and draping a science-fiction action adventure with that pale velvet means the whole movie suffers.  While it didn't suck, and I didn't feel cheated of the price of admission, it was nevertheless kind of blah.  

Wait till it comes out on Netflix.

(But, if you're in the mood for compelling science fiction that happens to also star Sharlto Copley in a supporting role, go see Europa Report.)

(And for a fun read on the actual science behind this movie, take a look at the Stanford torus.)

Populating the Multiverse . . . Or, Science-Fictiony People

Here's what I don't get: People.  In science fiction and fantasy.  The central conceit in all (or so near to all that the rest just sort of define the rule) speculative fiction is that people exist.  Now, in a lot of science fiction this isn't very problematic, since sci-fi tends to extrapolate from this moment and consider "what if?"  Where it gets kind of interesting in in fantasy.

Let's ponder.  Is Westeros Earth?  Nope.

Is  Randland Earth?  Maybe.

Is Middle-Earth our own Earth?  Probably not.

And on and on and on.  Which led me to wonder, where are the people coming from?  Are they following an evolutionary track that dictates that on any vaguely Earth-like planet there will be (mostly Anglo-Saxon looking) bipeds wandering around, mostly speaking English?  Mostly adhering to some vaguely Anglo-Saxon tradition? 

Probably not.

The first response is that it doesn't matter.  And it probably doesn't.  But these characters are our characters.  They represent people as we understand them, with many of the same cultural assumptions built into their own culture.  Major departures (I'm looking at you Neil Stephenson) include a rich cultural milieu that is difficult to get into, and characters who are difficult to empathize with.  So most fantasy includes people pretty much the same as you, or me, or our neighbors.

It sort of makes me wonder if all fantasy is just science fiction within the multiverse.  Remember those Ewok adventures?  The ones with the family that crash-lands on Endor and have to fight off rancor and evil witches?  They're pretty campy, but I remember them fondly.  What I remember most clearly is that though we're expected to understand these movies were set in a science-fictiony universe, there were witches, castles, and monsters.  But by slapping "A long time ago, in a galaxy far, far away . . . " we come to accept everything as falling under the umbrella of infinite universe = infinite variety.

So maybe, this is how it happened!

First, "A long time ago, in a galaxy far, far away . . . " the first human beings evolved in a rich milieu of diverse cultures, species and deeply steeped in a mystical energy field that allowed them experience the universe in a much more empathetic way.  In time, they developed space-flight, left their own galaxy, and spread throughout the universe.

In time they reached a medium aged, medium bodied spiral galaxy that looks suspiciously like spilled milk from the inside.  There, they settled a world and called it Earth.  (SPOILERS!)  But on that planet, they developed a race of cybernetic beings that eventually rebelled; nuclear war ensued and our intrepid human beings were forced to flee and colonize twelve planets where human civilization was rebuilt.  In time, they built cybernetic beings that eventually rebelled, nuked all the planets of humankind, and forced a rag-tag band of human beings out into the stars, where eventually they joined forces with their cybernetic creations to repopulate a planet they re-named Earth.  But they'd already developed faster-than-light travel, and though their main ship was pretty trashed, they were able to use smaller craft to spread throughout the universe.

Where eventually they created a system of stargates!  They spread throughout the galaxy, embedded the myths of the Twelve Colonies everywhere they went, and eventually returned to Earth, but because of whatever, decided this galaxy was pretty blase, and left for parts unknown.

But in all those other galaxies, they spread their culture (including Anglo-Saxonness, and the English language), but because of cultural degradation and environmental upheavals, some were lost and devolved to medieval technology.  And in a few really interesting cases, the transhumans even traveled to other universes, where the laws of physics are kind of wonky.  Or, since we know that any sufficiently advanced technology is indistinguishable from magic, maybe there are remnants of transhuman technology floating around that allow certain individuals to manipulate time and space in ways that mimic magic!

Seems reasonable to me.  Let me hear your thoughts in the comments below.